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If you do, the URSA Mini Pro 4.6K will require another external accessory — a recorder. Even when coupled with the Blackmagic Design URSA Mini SSD Recorder for 400 bucks, you will not be able to record proxies simultaneously. Instead, you will have to make them outside of the camera. Since you have the ability to record on SD or CFast 2.0, we would have liked to have the capacity to record proxies onto one, while capturing RAW on the other.
Comfortable Shooting
The Ursa Mini Pro 12K has built-in ND filters with IR compensation, in 2, 4 and 6-stop range. The left of the camera has a second LCD screen which shows frame rate, shutter angle, aperture, white balance, ISO, iris, battery indicator, card recording status and audio meters. There are XLR audio connections, a 12G-SDI out connector, HD-SDI monitoring out, 2 LANC inputs, timecode in and reference input. That’s the sort of controls that experienced filmmakers like and have a use for. Whether you’re managing a global brand or part of a creative agency shooting ads, you need to make your product look amazing. That's why it's vital that television commercials are shot using digital film.
The world’s most intuitive camera software!
I just hope their quality control has improved likewise. Likewise, Video Assist 3G has upgraded batteries compared to past models, as well as built-in scopes, a rear tally light, headphone jack and front panel speaker. Both size options feature standard SD and UHS-II SD card support -- the larger model has two SD card slots so that a full card can be swapped out while recording to the second card continues.
ISO Noise and Low Light performance
Because these small pixels will suffer badly if you don't. I am highlighting the fact that this new camera redefines the landscape in terms of what video for serious shooters means. And it shows that the video specs of the R5, even if it were usable at 8K, and not that impressive anymore. ‘Of Two Lands’ founder, Florent Piovesan is a French Australian filmmaker currently based in the French Alps. As part of his popular YouTube Channel, he has nearly two hundred videos that showcase all things filmmaking alongside of his travels. ‘Our Perfect Day’ is a 240fps 4K resolution camera test, shot on Blackmagic’s URSA Mini Pro 12K using a Sigma Art lens.
First, the camera doesn’t have any type of monitoring outside of its 4-inch touch screen. If you need an EVF or studio viewfinder, Blackmagic Design has you covered, but they aren’t cheap. We reviewed the camera with the optional URSA Viewfinder; it costs 1,500 bucks. If you are in a studio setting and need a tally light or a larger screen, the URSA Studio Viewfinder with a 7-inch screen will do, but it’s 1,800 dollars. Blackmagic Design has come a long way with the URSA cinema camera line.
As of right now, the URSA Mini Pro 12K currently has no rivals. With that said, there are other Cinema cameras that one might consider either for similar features or nearly as high resolution. We compared the similarities and differences between this camera and the Canon EOS R5, Z CAM E2-F8 Full-Frame 8K Cinema Camera, RED KOMODO and the Sony FX9. Because this camera shoots HDR, its monitor is 1000nit bright for real HDR preview. When shooting with the sun at our back the brightness helped.
New DaVinci Resolve Micro Color Panel
I'm just happy that the people who do make great content have better and better quality at a lower and lower price. Vance Burberry is a highly notable cinematographer with a career spanning thirty years shooting music videos, commercials, underwater work and feature films. British cinematographer, Ben Davis BSC., is well known for his work on Hollywood blockbusters and beautifully crafted independent films. Ben recently shot Banshees of Inisherin on Achill Island off the coast of Ireland. Ben talks about his work with Martin McDonagh and why they chose to use a Blackmagic URSA Mini Pro 12K as one of the production cameras. When I tested the first-gen Ursa Mini Pro 4.6K, it was before Blackmagic had released its RAW video format.
Production Hijos del desierto is recorded with URSA Mini Pro 12K TVyVideo - TV y Video Latinoamérica
Production Hijos del desierto is recorded with URSA Mini Pro 12K TVyVideo.
Posted: Mon, 07 Aug 2023 07:00:00 GMT [source]
The C200 is easy to shoot handheld without a shoulder rig, and because it’s lighter, it’s easier to keep up over time. The URSA Mini Pro 4.6K gives you loads of workflow options. Shoot at a data rate as high as 4.1 Gbps in uncompressed RAW 4.6K or as little as 176 Mbps in ProRes Proxy 4.6K. One thing to consider though, if you desire to shoot RAW in any resolution outside of 4.6K, you are going to gain a crop related to the resolution you shoot. Blackmagic doesn’t publish the changing crop factor, but it appears to be pixel to pixel reduction with your resolution change.
VLock compatible battery plate for attaching third party batteries to URSA cameras. High resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfect focus. DaVinci Resolve 19, Blackmagic Design’s professional-grade video production software, boasted a massive update, packed with features that will have creators jumping for joy. Powered by the DaVinci Neural Engine, the update includes groundbreaking AI tools like the IntelliTrack AI point tracker for flawless stabilization and object tracking. Colorists will love the new ColorSlice grading palette for precise six-vector corrections, while the Film Look Creator helps achieve that coveted cinematic look. Records to two hot-swappable CFexpress Type B memory cards.
Blackmagic Design URSA Mini Pro 12K: What's It Like To Shoot A Commercial With A 12K Camera? - Fstoppers
Blackmagic Design URSA Mini Pro 12K: What's It Like To Shoot A Commercial With A 12K Camera?.
Posted: Wed, 13 Oct 2021 07:00:00 GMT [source]
I mean, the A7R IV is one of my top two dream cameras right now but let's be honest, stills cameras are hardly pushing the cutting edge of technology and haven't been for a long time now. Even the best ones are years behind what's actually possible, heck in some ways (user interface, connectivity) they're decades behind. All you have to do is look at what video cameras and smartphones have been doing over the last several years to realize that the stills camera industry has become a technological backwater. With specs like these, it's easy to see that video is getting way more R&D money than stills.
It appears to be EXTREMELY impressive for anyone that is in its target market, and is going to drive the competition. It's also going to be brutal to companies who have been artificially segmenting their product line, and putting a lot of features only in $20k+ ultra-high-end units. @Slaginfected "So you will use this Blackmagic to do the next big photoshoot? Or carry it around on the next multiday hiking trip with its easy 2.5kg body weight."
