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Or, of course, you can just shoot everything in 12K with the lowest compression and luxuriate in the phenomenal image quality. Battery cost will also be an important consideration. The C200’s batteries cost 270 bucks, Cine batteries for the URSA cost between 200 and 1,000 dollars. We don’t know if we’d roll the dice on a cheap cine battery, so it’s likely the URSA battery will cost more than the C200 battery. The URSA has a larger top resolution at 4.6K over DCI 4K on the C200. Additionally, the top frame rate of 120 fps on the URSA is available at a higher resolution at 2K over the 120 fps in HD available on the C200.
Revolutionary Lightweight, Portable Design
You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics. The Blackmagic URSA Mini Pro 12K is a digital film camera offering advanced options combined with a x 6480 Super 35 image sensor. Between my cinema cameras and my mirrorless DSLRs, I have a rather healthy collection of CFast, CFast Express, and SD cards of various speeds and sizes. They work great and I have no real complaints other than that the CFast cards in particular are, shall we say, not exactly inexpensive. My usual workflow is to capture to a card, then transfer the data to a Samsung T5 SSD for editing.
Blackmagic Design URSA Mini Pro 12K: What's It Like To Shoot A Commercial With A 12K Camera?
There is no way to capture that yet with what is in the external recorders market. There are three gamma choices to choose from, just like Blackmagic cameras in the past, it has Film, Extended Video and Video. Film offers the most dynamic range giving the most work needed to the image in post-production. Extended Video gets closer to being ready right out of the camera, but keeps some of the benefits from the Film curve. Lastly, Video is ready right out of the camera and will allow for only minor corrections needed during post.
NAB 2024: Aputure pushes the lighting envelope
We prefer the monitor on the C200, although we wish it was touchscreen like the URSA. They are accessed on a knob on the URSA and up and down buttons on the C200. Both have a 2, 4 and 6 stop ND, however the C200 expands to offer 8 and 10 stops of ND, as well. The articulation of the screen is limited — the monitor is not fully articulating. It has no less or more articulation than the previous URSA Mini.
What Can The Original BMPCC and Ursa Mini Pro 4.6K Achieve? - No Film School
What Can The Original BMPCC and Ursa Mini Pro 4.6K Achieve?.
Posted: Mon, 16 Oct 2023 07:00:00 GMT [source]
Advanced Digital Slate
Personally, I knew I was already going to be working in DaVinci Resolve Studio, so that wasn’t a problem. Also, I was specifically interested in working in Blackmagic RAW to see if it would solve a practical issue that pertains to my specific workflow. This added room for cropping also comes into added play with the URSA Mini Pro 12K because it does not have in-body image stabilization. So, if you are one who likes to shoot wider then stabilize in post, starting with maximum resolution gives you the most flexibility. Now while I will briefly touch on some of the jaw-dropping technical specs of the camera, this is not going to be an overly tech-laden review.
In addition to the time savings, this could potentially be huge cost savings. I have a Canon R5, for example, which shoots beautiful 8K video. But while my CF Express card is voluminous enough to shoot stills all day without needing to be offloaded, it can only shoot roughly 6 minutes of 8K Canon Raw before filling up. Sure, I could just buy a bigger card or opt to record to the Atomos Ninja V Plus with its SSD instead. But this is both an added expense and potentially an added headache as the Atomos records from the R5 in ProRes Raw which doesn’t play so nice in DaVinci Resolve Studio.
External Controls at Your Fingertips
For audio, there are 2 XLR balanced analog inputs with 48V of switchable phantom power for external microphones. The company says that the Super 35 sensor found in this model is 'optimized for images at multiple resolutions' and that it features a unique (non-bayer) design with an equal number of RGB pixels. We've contact Blackmagic Design for further information on the sensor and will update with additional information when it becomes available. In summary, I was very impressed with my maiden voyage shooting with Blackmagic Design and the URSA Mini Pro 12K.
You’ll need to shell out another 135 bucks for that. We found ourselves with the first URSA at 16.5 pounds (lbs) and needed a tripod, but tripods with that weight capacity aren’t cheap. This camera weighs less at 5.1lbs, but the battery will weigh between two and three pounds and the lens adds another pound and a half to two pounds. It would be a mistake to get a camera with the capability of the URSA Mini Pro 4.6K and not have a set of sticks to support it. All this said, just make sure you configure what you’ll need before you spend any money.
DaVinci Resolve 19
There is, of course, a certain benefit that comes with a heavier body. While a heavier body might be more challenging to handhold for extended periods, the added weight does help to reduce some of the micro jitters you so often see when holding a super lightweight camera. As remaining production time became sparse, I increasingly turned to handholding several of the shots for my projects and, despite testing my grip strength, I was happy with the results. Additionally, starting with more resolution allows you to crop in further in post without losing detail.
Automatic recording of camera settings and slate data such as project, scene number, take and special notes. Featuring a revolutionary 12K Super 35mm 80 megapixel sensor with generation 5 color science and 14 stops of dynamic range, URSA Mini Pro 12K is designed for high end feature film production. Like I said earlier, I am not the one to do extensive lab tests to try and compare one camera’s image quality to another. I simply go by whether or not the camera is returning the image that I want or not.
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Belgian audio and video post production facility adopted Fairlight for audio post production in a recent overhaul of its legacy systems. Mark has spent 20 years headlining comedy shows around the country and made appearances on ABC, MTV, Comedy Central, Howard Stern, Food Network, and Sirius XM Radio. He has written about every topic imaginable, from dating, family, politics, social issues, and tech.
The E2-F8 also offers external capture out of its USB port. More than just resolution, it produces a fantastic image. Its Super 35 image sensor is nearly 80 megapixels (MP), which is insane. Because 12K is 4 times the resolution of 4K, if the final product is 4K, any noise reduces in size by 4 times. This benefits when shooting chroma keying or anything else where the additional detail would benefit. Blackmagic offers the best menu function of all cameras.
Stunning specifications for the Hollywood film industry and its price is actually pretty low for what you get. Actually, dual pixels are counted separately, much like the over-hyped Foveon sensors. Get this brick, if you want to record boring interviews with 8K RAW format. The m4/3 lenses resolve 80MP fine in the pixel shift mode. @otto k Doing fine is fine and what not, but it's still not properly resolving high resolutions.
I am very happy to say that this theory proved to be true. I have a respectable computer system, but not a fully decked out one by any means, yet even the 12K footage from the camera played back in DaVinci Resolve Studio without any struggle. The Blackmagic RAW files also proved to be quite malleable in post. Making raw adjustments was a breeze and these workflow improvements did not go overlooked. So if you prefer a different recording format, this might pose a limitation.
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